RELATED: 'Squid Game' Cast & Character Guide: Who's Who In This Wild, Deadly Competition?īack in the main room, players sit in the dark in silence, some crying quietly. But, in Squid Game, getting back on the horse just isn’t an option: after pushing the hand back inside, a guard nails the box shut. From one of the boxes, a hand emerges, indicating that some might have survived the first game. “Hell” begins with a shocking scene of the men in red burning large gift boxes containing the bodies of those that were killed in Episode One, just in case anyone forgot the horrors the players are dealing with.
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However, is free will even a thing when you are caught between a rock and a hard place? After all, the guards assure them, the game masters have no interest in hurting or keeping anyone prisoner. Still reeling from the death of their opponents, the show’s characters are asked if they want to remain in the game. You can stream Tomorrow season 1, episode 2, “Fallen Flower 2”, exclusively on Netflix.Editor's note: The following contains spoilers for Squid Game Season 1, Episode 2, "Hell."Īfter the bloodbath of “Red Light, Green Light,” the second episode of Squid Game puts the remaining players in the position of choosing their own fates, and asks viewers whether or not they actually have a choice. Thus far, though, Tomorrow really seems like a show that could go one way or the other, and right now, it’s very difficult to tell where it’ll end up. His compassion makes him annoying and a liability, which is an intriguing angle, and when Ryeon eventually decides to take him back into the team after not wanting to work with him, it says something about their budding relationship that’ll probably be fun to witness as we progress. Since Ryeon is so jaded, Jun-woong’s idealism comes across as a stronger theme. That the punishment for the grim reapers’ potential failure is an endless torment and regret seems right too, especially when it comes to putting across why Ryeon is so jaded. Saving those who have decided not to save themselves is a worthwhile idea if Tomorrow turns out not to be quite clever enough to really unpack it, then that will be understandable, if lamentable. It’s very bizarre, and borders on disrespectful, especially since, at least on an acting and logic level, Tomorrow actually works better as a comedy than it does a serious drama.īut that essential structure of build-up and catharsis works.
I just can’t fathom a scenario in which material of this weight should be in such close proximity to much lighter fare. Either way, this works, and because it works, the tonal issues are brought into starker focus. Again, it’s a bit weird that Ryeon is so against Jun-woong’s interference given the supposed responsibility of the crisis management team, but perhaps that’s just me misunderstanding some worldbuilding details. The episode also does a good job of showing, through Hye-won, how little impact bullying can have on the person doing the bullying how totally blasé they can be about it, even as the same attitudes and behaviours persist. On a dramatic level, this is a simple process – it’s about letting us see how bad some people have it so we can enjoy the catharsis of them being avenged or “saved” or whatever Taxi Driver, another k-drama, worked on this same basis.
It does, admittedly, ask some awkward questions of the lore, particularly how interfering in memories technically works on a logistical level, but let’s not worry about that too much for now. And it works in how “Fallen Flower 2” depicts Eun-bi’s suffering, raising the larger issue of systemic injustices in Asian schools – how many films and TV shows have we seen that raise this issue as a particularly prominent one? – and helping to characterize Jun-woong, who is becoming the good cop to Ryeon’s bad. The kind of bullying and suicidal ideation presented here is very real to a distressing number of people, so I’m not of the opinion that its depiction should be censored and sanitized.
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